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December 2024

I liked CARRY-ON. Some coincidences were tough to swallow, and it was a distraction not recognizing an airport I know so well, but this is a fun thriller. Bateman is a natural at playing a scumbag. Too many actors resist typecasting, the smart ones lean i


I liked CARRY-ON. Some coincidences were tough to swallow, and it was a distraction not recognizing an airport I know so well, but this is a fun thriller. Bateman is a natural at playing a scumbag. Too many actors resist typecasting, the smart ones lean into it. Good for him. https://t.co/fD7hAcYGz8
— Will Bermender (@WillBermender)
Dec 27, 2024

from Will Bermender on Twitter

December 27, 2024 at 10:18AM

On the page, readers often miss subtlety in a screenplay. But on the screen, these moments - “brush strokes” - can bring characters to life. Writing a movie for both audiences is challenging, but screenwriters who don’t crack that nut are wasting th


On the page, readers often miss subtlety in a screenplay. But on the screen, these moments - “brush strokes” - can bring characters to life. Writing a movie for both audiences is challenging, but screenwriters who don’t crack that nut are wasting their time. https://t.co/5S4rX7gUoM
— Will Bermender (@WillBermender)
Dec 21, 2024

from Will Bermender on Twitter

December 21, 2024 at 10:38AM

On the page, readers often miss subtlety in a screenplay. But on the screen, these moments - “brush strokes” - can bring characters to life. Writing a movie for both audiences is challenging, but screenwriters who don’t crack that nut are wasting th


On the page, readers often miss subtlety in a screenplay. But on the screen, these moments - “brush strokes” - can bring characters to life. Writing a movie for both audiences is challenging, but screenwriters who don’t crack that nut are wasting their time. https://t.co/yrtWI8GlFJ
— Will Bermender (@WillBermender)
Dec 21, 2024

from Will Bermender on Twitter

December 21, 2024 at 10:22AM